Showing posts with label Catfights. Show all posts
Showing posts with label Catfights. Show all posts

Sunday, July 10, 2011

Star Crash 1978 ***1/2

Dir: Lewis Coates aka Luigi Cozzi

Stars: Marjoe Gortner, Caroline Munro, David Hasselhoff, Robert Tessier, Christopher Plummer, Joe Spinell


Speaking off Star Wars knockoffs that are a lot of fun, there is also Star Crash, which stars Caroline Munro as Stella Star, a roguish, lovable space outlaw who travels through space with her odd, superpowered companion Arkton, portrayed by the former evangelical child minister Marjoe Gortner. After pursuit and capture, the pair is eventually called for an assignment from the benevolent Emperor of the galaxy, played by Christopher Plummer, to find his missing son, lost when three launches took off from a space ship being attacked by the Doom Machine belonging to the diabolical Count Zarth Arn. Stella is joined by two space cops, the likable but oddly named Elle, a robot, and a blue humanoid alien named Thor, not to be confused with the thunder god, portrayed by the Dr. Evil-esque Robert Tessier.


The search for the missing son, who eventually turns out to be none other than the Hoff, is a lot of fun to watch as the heroes explore the planets where the launches crashed, finding various perils such as a tribe of scantily clad space amazons, of course, their giant robot, an ice planet that gets even colder at night, and a planet full of what seem to be mutant cavemen. When the son, wielding a fairly unapologetic light sabre clone, is finally located, they then have to come up with a way of defeating the evil count and his Doom Machine, though only after an epic battle between Arkton and two creepy looking stop motion sword fighting robots. These and several other creatures in the film show the distinct influence of Ray Harryhausen.

Shout! Factory has put out a deluxe set for this cult classic film, and reading the booklet that is included, with text by Stephen Romano, made me realize how much there is to appreciate about living in a time where films like this are available on DVD, remembering how in the olden times they were rare on VHS, and usually only in poor copies (though I do have friends who collect VHS originals, more power to 'em). Romano also makes an impassioned case for the soulfulness of this film. The effects are easy to see through, and space looks like Christmas with multicoloured stars , but there is a kind of dreamlike beauty to it all. I also like the costume designs quite a bit, they look straight out of comic books, with many shiny tunics, pointy shoulder pads and capes.

Star Wars took elements of old science fiction b-movies and serials and forged them into "A" material. Since there were several b-knockoffs, or perhaps more than several, another contribution Star Wars might be credited was in helping bring back to the b-movies what had been largely absent since older times, the planet tripping and space battles of heroes like Flash Gordon and Buck Rogers against goateed maniacal villains. Star Crash does it all again in grand style with more effects and slightly less clothes.


Sunday, September 12, 2010

Cat-Women of the Moon 1953 ***

Dir: Arthur Hilton

Stars: Marie Windsor, Sonny Tufts, Victor Jory, The Hollywood Cover Girls

Man makes a small step onto the moon for the first time and finds a society of telepathic women living in caves where there remains a breathable atmosphere. The women plan to steal the earthmen’s rocket and use their powers to take over the world, but first they must perform a strange space pilates to wonderful music by Elmer Bernstein that sounds more Biblical epic than space movie, but those are just some of the unconventional elements that makes the film a lot of fun. (Bernstein did the score for Ten Commandments, thus the Biblical epic connection.) We got a revolver brought along on the rocket ship, we got throwing a cigarette onto the bright side of the moon where it explodes into flames. The olden days when space was magic and exotic. There are also giant spiders on quite visible wires, and some space-double entendres: “If you take me on board your rocketship I’ll let you into my cave of gold.” Or something along those lines, I might have bent it a little. There’s even a bit of a love triangle among the astronauts which, given the news of a few years ago, turns out the be the most prescient element. The movie seems very fantastical, but it is taking place in space...it just might be that in 1969, the "future" year when the film takes place Cat-Women were found on the moon, only the government doesn’t want you to know. For all we know, this film may be a documentary presented as fiction to hide the truth in plain sight. Space may be as magical as we always thought, but who’s funneling the info?

Sunday, September 5, 2010

Kong Island 1968 ** 3/4

Dir: Robert Morris aka Roberto Mauri

Stars: Marc Lawrence, Brad Harris, Esmeralda Barros, Adriana Alban, Ursula Davis


This Italian movie is also known as King of Kong Island, but don't let either title fool you, the apes in this are all regular sized. But gorillas are gorillas, and I'm a sucker for any movie with gorillas, especially if they are portrayed by people in gorilla costumes, and especially if, as in this movie, they are remote controlled by a mad scientist. The Leonard Maltin Movie Guide says this movie is "not even good for laughs". I beg to differ, but that could be because I find amusement in the concept of a mad scientist named Albert plotting to somehow control the world with an army of mind controlled gorillas in Africa. There are, admittedly, a lot of scenes where the film drags, as people walk endlessly through the jungle, but there's a lot to recommend it, as there is a jungle girl, referred to as "The Sacred Monkey", and a kind of fun dancing/club scene, as well as just a bizarre, twisted plot. One highlight includes the gorillas invading a camp and kidnapping the breathtaking Ursula Davis, also seen in Crypt of the Vampire and An Angel for Satan; she's one of my favourite Eurohorror beauties, seeming to always play the "good girl".

The last twenty or so minutes are especially good, as everything comes to a head and there is one fight after another in the lab/cave hideout of Albert; man versus man, woman versus woman, mad scientist versus gorilla. I must also admit I like this movie because it seems like something I may have caught part of on TV when I was a kid and been forever baffled and intrigued. I'm not sure if I really did, but it has that sort of strange evocative feel for me, between the nonstop muzak soundtrack and the blurry, otherworldly visuals. It puts me into a good b-movie trance, what can I say. That's what I look for.